THE IMPROBABLE NATURE OF THE PROPERTIES THAT LIE WITHIN
Details of hand-painted microscopy slides are greatly magnified using standard microscopes, photographed and subsequently enlarged further during the printing process, exploring paint and painting from the inside out.

The Improbable Nature of the Properties That Lie Within 1, 2005: micrograph of acrylic paint, digital output from 35mm negative mounted on aluminum , 33”(h)x 52”(w)  

The Improbable Nature of the Properties That Lie Within 2, 2005: micrograph of acrylic paint, digital output from 35mm negative mounted on aluminum , 33”(h)x 52”(w  

The Improbable Nature of the Properties That Lie Within 5, 2005: micrograph of acrylic paint, digital output from 35mm negative mounted on aluminum , 33”(h)x 52”(w  

The Improbable Nature of the Properties That Lie Within 4, 2005: micrograph of acrylic paint, digital output from 35mm negative mounted on aluminum , 33”(h)x 52”(w  

The Improbable Nature of the Properties That Lie Within 9, 2005: micrograph of acrylic paint, digital output from 35mm negative mounted on aluminum , 33”(h)x 52”(w  

The Improbable Nature of the Properties That Lie Within 10, 2005: micrograph of acrylic paint, digital output from 35mm negative mounted on aluminum , 52”(h)x 33”(w  

The Improbable Nature of the Properties That Lie Within 12, 2005: micrograph of acrylic paint, digital output from 35mm negative mounted on aluminum , 33”(h)x 52”(w  

The Improbable Nature of the Properties That Lie Within 13, 2005: micrograph of acrylic paint, digital output from 35mm negative mounted on aluminum , 33”(h)x 52”(w  

The Improbable Nature of the Properities That Lie Within, 2005: installation view